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Even if you know the story of the novel or anime beforehand, you can enjoy the other as a fresh experience. In fact, the characters' personalities, the events of the story, and even the narrative arc that leads to the ending are different. Nagatsuki That's why the novel was only used as the initial concept, and when we started working on the anime, we had many meetings with the director and producer to make big changes to the story. But when there is a novel first, it can serve as a guide during production. Umehara When it comes to original titles, it can be hard for the creative team to see the bigger picture, and it can also be difficult for the staff members to share the same vision. Nagatsuki has ample experience in rearranging his stories for various mediums, my goal was to first write a novel together in order to expand the universe we were trying to create.
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Nagatsuki wrote on the website "Shousetsuka ni Narou (Let's Become a Novelist)", which was then edited and published as a novel, and then reformatted for the animated TV series. Umehara Re: Zero started as a piece that Mr. After that, we would rework and fine-tune each other's stories. Umehara and I split up who would be in charge of which episode, and then we began writing for the novel.
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From there, the two of us had many meetings to create a series composition chart that spanned all the episodes. Umehara we could create an incredible anime, so I definitely wanted to take part in this project. Nagatsuki Since we're close in age, we struck up a great conversation afterwards, and I was convinced that if I collaborated with Mr. Umehara I distinctly remember talking about that right off the bat when we first met. Umehara joined the Re: Zero team in the latter half of the series, but when I was introduced to the name "Eiji Umehara" as the new screenwriter, I got so excited, thinking, "The guy from CHAOS CHILD? I just finished that game the other day!" (laughs) Umehara wrote for the game CHAOS CHILD had a big impact on me. Even before I worked with him on Re: Zero, the scripts Mr. Umehara asked me, "Can you write a novel that we can use as the concept for the original anime, rather than us make an adaption of the novel?" (laughs) But it was a new approach, and I felt that it could be really interesting.
Nagatsuki I was genuinely surprised when Mr. So for Vivy, I first wanted to have a novel written before we worked on the screenplay. Since that was the first time I worked on series composition for an animated TV series, I wanted to incorporate techniques that were successful with past titles that I had worked on.
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I learned a lot about how to adapt a novel into an animated TV series and was able to have constructive discussions with the original novelist, Mr. Nagatsuki's novels, and the screenplay meetings for that show were really great experiences for me.
Umehara I worked on the screenplay for Re: Zero – Starting Life in Another World (Re: Zero), an animated TV series based on Mr. As the two of us delved deeper into discussion, he suggested to me, "Wouldn't it be interesting if we got Mr.
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Umehara and I started working together at same time at our previous studio, Production I.G, and even after starting up WIT STUDIO we collaborated on many titles together, including the series composition for the Laughing Under the Clouds: Gaiden movie trilogy. Umehara and asked, "Would you like to create an original anime title with me?" Mr. Wada The project all started when I reached out to Mr.
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